Today In Depeche Mode History (October 14th): Single Release Should Be Higher, 12 inch, CD and CD maxi single, UK (2013) . Hoje na história do Depeche Mode (14 de outubro): Data de lançamento do single de Should Be Higher, 12 inch, CD and CD maxi single, UK (2013)
Full Single . 1 - Should Be Higher (Radio Mix) 2 - Should Be Higher (Little Vampire Remix Single Edit)
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Today In Depeche Mode History (October 3rd): Single Release Precious CD single, UK (2005) . Hoje na história do Depeche Mode (3 de outubro): Data de lançamento do single de Precious CD single, UK (2005) .
Full Single Mute LCD BONG 35 Commercial limited CD single (release date: October 3rd, 2005) . 1 - Precious (Sasha's Gargantuan Vocal Mix - Edit) 00:00 2 - Precious (Misc. Full Vocal Mix) 07:16 3 - Free 12:56 ... # DMFCRecife # DMFanclubRecife # Depeche Mode Fan Club Recife - Brasil
Today In Depeche Mode History (September 27th): Album Release A Broken Frame, UK (1982) . Hoje na história do Depeche Mode (27 de setembro): Data de lançamento do álbum A Broken Frame, UK (1982)
Today In Depeche Mode History (September 24th): Album Release Some Great Reward, UK (1984) . Hoje na história do Depeche Mode (24 de setembro): Data de lançamento do álbum Some Great Reward, UK (1984)
Hoje na história do Depeche Mode (29 de agosto): Data de lançamento do single de Personal Jesus, UK (1989) . Today In Depeche Mode History (August 29th): depeche mode Single Release Personal Jesus, UK (1989)
#7_Inch_Single . 1 - Personal Jesus 2 - Dangerous
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Hoje na história do Depeche Mode (24 de agosto): Data de lançamento do single de Never Let Me Down Again, UK (1987) . Today In Depeche Mode History (August 24th): Single Release Never Let Me Down Again, UK (1987)
Hoje na história do Depeche Mode (20 de agosto): Data de lançamento do single de Master And Servant, UK (1984) . Today In Depeche Mode History (August 20th): depeche mode Single Release Master And Servant, UK (1984)
Vincent John Martin (Londres, 3 de Julho de 1960), mais conhecido pelo nome artístico de Vince Clarke, é um músico e compositor britânico. Ele se envolveu com vários grupos pop de sucesso tais como Depeche Mode, Yazoo, The Assembly e Erasure. Além ser especialista em sintetizadores e um dos pioneiros em música eletrônica dos anos 80, foi e continua sendo o principal compositor dos grupos que participou.
Criado em Basildon, Vincent começou a estudar violino e depois piano.
Nos anos 70, Vincent e seu colega de escola Andrew Fletcher formaram a banda No Romance in China. Em 1979 eles formaram o The French Look, uma prévia do Depeche Mode que foi chamada mais tarde de Composition of Sound, seguindo a entrada de Martin Gore (Vocal) na banda. Depeche Mode fez muito sucesso com a musica "Just Can't Get Enough" que Vincent compôs junto com Gore, mas mesmo assim Vincent Clarke saiu do grupo logo após o primeiro álbum e formou o duo britânico Yazoo (conhecido nos Estados Unidos como Yaz) junto com a cantora Alison Moyet (vocal). A dupla foi um grande sucesso onde tiveram algumas músicas no Top 10 britânico no entre 1982 e 1983 como "Only You", "Situation" e principalmente "Don't Go". Pouco depois, Moyet e Clarke decidiram romper com a dupla. Moyet seguiu uma carreira solo, enquanto Clarke fundou o The Assembly (com o produtor Eric Radcliffe) e, logo depois, o Erasure em 1985, outra dupla de synthpop (desta vez, com o cantor Andy Bell). O Erasure foi o grupo de maior sucesso de Vince Clarke, foi até mais sucesso que o Depeche Mode na década de 80 já que fazia um som mais comercial. Emplacaram com várias músicas como "Oh L'amour", "Sometimes","A Little Respect","Stop","Blue Savannah","I Love Hate You" e "Always". Erasure entrou também nas paradas de sucesso no Brasil no final dos anos 80 e inicio dos anos 90 e apesar do atraso, Little Respect(1987) e Oh L'amour(1986) estão entre 100 mais tocadas no Brasil no ano de 1990. Andy Bell e Vince Clarke já vieram ao Brasil 3 vezes, e o Erasure segue em ativa até hoje, apesar de sua popularidade ter diminuído a partir da metade dos anos 90.
Today In Depeche Mode History (June 13th): depeche mode Single Release New Life, UK (1981) . Hoje na história do Depeche Mode (13 de junho): Data de lançamento do single de New Life, UK (1981)
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Alan Charles Wilder (born 1 June 1959) is a British musician, formerly of Depeche Mode. His current musical project is called Recoil, started as a side project to Depeche Mode. When he left the latter in 1995, it became Wilder's primary project. Wilder has also provided production and remixing services to the bands Nitzer Ebb and Curve. He is a classically trained musician[1] and renowned contemporary music producer.
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Early years
Alan Charles Wilder was born into a "neither rich nor poor" family and was raised in Acton, west London. He began piano at the age of eight, through the encouragement of his parents. Later on, he learned the flute at St Clement Danes Grammar school and became a leading musician in his school bands. After school, Alan worked as a studio assistant at DJM Studios. This led to him ending up working for bands such as The Dragons, Dafne and the Tenderspots (as Alan Normal), Real to Real (featuring Adrian Chilvers on Bass, Pete Fresh on guitar, Wolfgang Marlander on Drums and Paul St. James Vocals), The Rubettes, The Hitmen, and The Korgis, appearing on the UK No. 13 single "If I Had You" (1979).
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Depeche Mode
Following the departure of Vince Clarke, Depeche Mode placed an advertisement in the music magazine Melody Maker: "Keyboard player needed for established band – no timewasters." Even though the ad was looking for someone under 21 (Wilder was 22) he lied about his age to get the job, and got away with it. He joined Depeche Mode in January 1982, initially as a tour keyboardist, and soon thereafter as a full member of the recording band.
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Wilder wrote a handful of songs for Depeche Mode, including "Two Minute Warning" and "The Landscape Is Changing" (and a B-Side, "Fools") from the album Construction Time Again,[2] and "If You Want" (and a B-Side, "In Your Memory") from the album Some Great Reward.[3] However, Wilder's more notable contributions to Depeche Mode were as a musician, arranger, and producer.
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In addition to playing synthesiser throughout his time with Depeche Mode, Wilder also played piano on the band's signature ballad "Somebody," and oboe on the band's hit anthem, "Everything Counts." In the documentary film 101, Wilder demonstrates how different synthesiser parts of a song are split and arranged across a sampling keyboard for playing them live during the concert, just one small example of Wilder's ongoing contributions to Depeche Mode during his time as a member of the group. For the recording of the album Songs of Faith and Devotion and its corresponding Devotional Tour Wilder also played live drums.
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For "Enjoy the Silence" from the album Violator, Wilder is credited with taking Martin Gore's melancholy ballad-esque demo and re-envisioning the song as a percolating, melodic dance track.[4] The resulting single went on to become one of the most commercially successful songs in Depeche Mode's history.
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Departure
On 1 June 1995 (his 36th birthday), Alan announced his departure from Depeche Mode:
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"Due to increasing dissatisfaction with the internal relations and working practices of the group, it is with some sadness that I have decided to part company from Depeche Mode. My decision to leave the group was not an easy one particularly as our last few albums were an indication of the full potential that Depeche Mode was realising.
Since joining in 1982, I have continually striven to give total energy, enthusiasm and commitment to the furthering of the group's success and in spite of a consistent imbalance in the distribution of the workload, willingly offered this. Unfortunately, within the group, this level of input never received the respect and acknowledgement that it warrants.
Whilst I believe that the calibre of our musical output has improved, the quality of our association has deteriorated to the point where I no longer feel that the end justifies the means. I have no wish to cast aspersions on any individual; suffice to say that relations have become seriously strained, increasingly frustrating and, ultimately, in certain situations, intolerable.
Given these circumstances, I have no option but to leave the group. It seems preferable therefore, to leave on a relative high, and as I still retain a great enthusiasm and passion for music, I am excited by the prospect of pursuing new projects. The remaining band members have my support and best wishes for anything they may pursue in the future, be it collectively or individually."
After his split from Depeche Mode, Wilder was approached by Robert Smith with an offer to join The Cure. Wilder respectfully declined.[5] According to Wilder himself, the possibility was offered on behalf of The Cure by Daryl Bamonte (tour manager for both Depeche Mode and The Cure, and brother of The Cure member Perry Bamonte), and he declined as joining another band was the last thing on his mind.[6]
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He briefly reunited with Depeche Mode during the Teenage Cancer Trust concert at the Royal Albert Hall in London on 17 February 2010, and enjoyed a rapturous reception. During the encore, Wilder accompanied Martin Gore on piano for "Somebody". Gore returned the favour and played a DJ set on one of Recoil's Selected Events.
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In 2011, Wilder provided two mixes for the Depeche Mode track "In Chains".
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Recoil
Recoil began in 1986 as a two-track experimental EP. Simply entitled 1 + 2, this collection of primitive demos caught the attention of Mute Records label boss Daniel Miller and was inconspicuously released as a mini-album on 12" vinyl. An album, Hydrology, soon followed in 1988 and both were eventually re-issued by Mute on CD as Hydrology plus 1 + 2. Wilder described the project at the time as "an antidote to Depeche Mode; a way to alleviate the frustrations of always working within a pop format".[this quote needs a citation]
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Almost immediately, Wilder found himself back in the studio to record what would become the most successful Depeche Mode album to date, Violator. It wasn't until the band finally allowed themselves an extended break after the World Violation Tour that Alan could return to Recoil—not, however, before agreeing to produce Ebbhead, another album for label-mates Nitzer Ebb.
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It was during this time that he cemented a working relationship with lead singer Douglas McCarthy who would return the favour by singing on Recoil's next album, Bloodline. For the Bloodline LP, released in 1991, Wilder recruited guest vocalists for the first time, with further contributions from Toni Halliday and Moby. 'Bloodline' also marked the first Recoil single, a cover of Alex Harvey's song ‘Faith Healer' as well as 'Electro Blues For Bukka White', featuring the posthumously sampled voice of Blues-man White set into a post-modern context.
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Between 1992–93 Wilder resumed his Depeche Mode duties as the band recorded the album Songs of Faith and Devotion. Depeche Mode embarked on their most adventurous tour to date, enduring a gruelling fifteen months on the road. Although the group had reached the pinnacle of success, aspects of the lifestyle had taken their toll on everyone and things eventually came to a head. In June 1995, having spent fourteen years as an integral part of one of the most popular and influential bands the UK has ever produced, Alan Wilder made the decision to leave Depeche Mode.
Free from his group commitments, Wilder could now focus solely on Recoil. In September 1996, he began work in his own studio, The Thin Line, gradually piecing together what would become Recoil's next album Unsound Methods. Guest vocalists this time played a more up-front role than ever and featured Maggie Estep, Siobhan Lynch, the reappearance of Douglas McCarthy, and Hildia Campbell.
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In the spring of 2000, Recoil released Liquid which this time featured fellow Mute artist Diamanda Galás, 1940s gospel crooners the Golden Gate Jubilee Quartet, along with New York spoken-word performers Nicole Blackman and Samantha Coerbell.
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Following a five-year break from recording, Alan Wilder returned in 2007 with Recoil's fifth studio album, entitled subHuman.
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2010 saw the release of ‘Selected’, a selection of Recoil tracks chosen by Alan who explains: "The collection is made up of my personal favourites, remastered and edited together into what I consider a cohesive and total listening experience.”
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A tour entitled ‘A Strange Hour’ was presented during 2010 & 2011 in 52 cities across the world, as part of the ‘Selected Events’, which celebrated 25 years of the Recoil project. It signified the first time Recoil had ever taken to the road. The events were not so much ‘live’ band but more art or video installation. Wilder gathered together filmmakers from as far as Russia, via the Czech Republic and Hungary, all the way to Argentina for this purpose, working very fast, and in the modern way, by creating a central server where everybody could upload their work for others to see, react to and feedback on. Says Wilder: “This for me typifies the whole essence of what Recoil is all about - a collective but with a focused direction - and a very thrilling process it was too, watching and hearing ’A Strange Hour’ come together from our base in the UK.”
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Recoil returned in 2012 to release the concert film 'A Strange Hour In Budapest' on Blu-ray, with 5.1 surround sound, directed by Attila Herkó.
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Also in 2012, we saw Alan Wilder turn up again as Executive Producer & contributor for a new tribute album to Mark Hollis & Talk Talk. Recoil offered two cover versions for the album featuring the vocals of Linton Kwesi Johnson, Shara Worden and Paul Marshall. Wilder also mixed a track for Richard Reed Parry from Arcade Fire. ‘Spirit of Talk Talk’ was released in September 2012 on Fierce Panda Records.
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In February 2014, Alan made comments about the future of Recoil on Facebook.[7] "Recoil is not a financially viable project and hasn’t been for some time. For many years now there has been no income for myself from the sales of my own music. Any income has been used to pay off debts to Mute Records for overspends on the earlier albums... More recently and until now, I have pretty much subsidised the project myself, recorded in my own self-built studios and so on. ... The truth is I have been pulling in favours left, right & centre (from people willing to help with little or no payment) just to keep things going. I do understand that there are other ways to skin a cat - like self release, fund gathering - and so I am not ruling myself out of the game completely but, for now, I have many other priorities which I need to pursue. Frankly, I am distracted from music by needing sort out ‘life’. Once I get settled into a new home and re-build a small studio (my current one is dismantled and packed up), then maybe I’ll get the urge to pick up where I left off."
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Personal life
Wilder resides near Horsham, West Sussex, England, with his Norwegian partner and a daughter, born in 2011. He has two further children from a previous relationship.
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Discography
Early work
The Dragons – "Misbehavin'" (1977)
Dafne & The Tenderspots – "Disco Hell" (1979)
The Korgis – "If I Had You" (1979) UK No. 13 (The track also appears on The Korgis, as well as all of the band's compilation albums.)
Real to Real – "White Man Reggae" (March 1980)
Real to Real – "The Blue" (1980)
Real to Real – Tightrope Walkers (November 1980)
Real to Real – "Mr. and Mrs." (March 1981)
The Flatbackers – "Serenade of Love" (1981)
The Hitmen – "Ouija" (1981)
With Depeche Mode[edit]
Main article: Depeche Mode discography
Wilder appeared on all of Depeche Mode's releases from "Get the Balance Right" (31 January 1983) up to "In Your Room" (10 January 1994), later taking part in reissues and compilations containing material from his time in the band.
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As Recoil
Main article: Recoil (band) § Discography
Collected[edit]
Alan organised with Omega an auction selling a lot of DM collectable items on 3 September 2011 in Manchester. A DVD called "Collected +" was released as promotion for these events.
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Covers & collaborations
1991 – Mixed the Nitzer Ebb song "Come Alive" from their As Is EP.
1991 – Along with Flood, produced the Nitzer Ebb full album Ebbhead.
2001 – Provided strings and ambient sounds for the song "Polaroid" from the Curve album "Gift".
2003 – Provided strings and sounds for "The Digital Intervention" track called "Coma Idyllique" from their album "Capture". PK, a longtime Recoil collaborator is one of its members along with Olivia Louvel.
2012 – Covered 2 tracks: "Inheritance" - Recoil (ft. Linton Kwesi Johnson & Paul Marshall) and "Dum Dum Girl" - Recoil (ft. Shara Worden) for a Talk Talk tribute album (double) cd/book set called "Spirit of Talk Talk". He also became executive music producer for the album.
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Remixes
1989 Toni Halliday – "Time Turns Around" (Euro-Tech Version)
1991 Nitzer Ebb – "I Give to You" (Wilder Mix Full Version)
2010 Nitzer Ebb – "I Am Undone" (Alan Wilder Remix)
2011 Depeche Mode – "In Chains" (Alan Wilder Remix)
